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Norman Jewison
Norman Frederick Jewison, CC, O.Ont (born July 21, 1926) is a Canadian film director, producer, actor and founder of the Canadian Film Centre. Highlights of his directing career include ''The Cincinnati Kid'' (1965), ''The Russians Are Coming, the Russians Are Coming'' (1966), ''In the Heat of the Night'' (1967), ''The Thomas Crown Affair'' (1968), ''Fiddler on the Roof'' (1971), ''Jesus Christ Superstar'' (1973), ''F.I.S.T'' (1978), ''...And Justice for All'' (1979), ''A Soldier's Story'' (1984), ''Agnes of God'' (1985), ''Moonstruck'' (1987), ''Other People's Money'' (1991), ''The Hurricane'' (1999) and ''The Statement'' (2003). Jewison has addressed important social and political issues throughout his directing and producing career, often making controversial or complicated subjects accessible to mainstream audiences.
==Early life==
Jewison was born in Toronto, Ontario, the son of Dorothy Irene (née Weaver) and Percy Joseph Jewison, who managed a convenience store and post office.〔(【引用サイトリンク】title=Norman Jewison Film Reference biography )〕 He attended Kew Beach School and Malvern Collegiate Institute, and while growing up in the 1930s displayed an aptitude for performing and theatre. Jewison was often mistaken for Jewish due to his surname, though he and his family were actually Protestant. He served in the Royal Canadian Navy (1944–1945) during World War II, and after being discharged traveled in the American South, where he encountered segregation, an experience that would influence his later work.〔(【引用サイトリンク】title=Jewison interview in CBCs "The Hour", May 27, 2009 )〕
Jewison attended Victoria College in the University of Toronto, graduating with a B.A. in 1949. As a student he was involved in writing, directing, and acting in various theatrical productions, including the All-Varsity Revue in 1949. Following graduation, he moved to London, where he worked sporadically as a script writer for a children's show and bit part actor for the BBC, while supporting himself with odd jobs. Out of work in Britain in late 1951, he returned to Canada to become a production trainee at CBLT in Toronto, which was preparing for the launch of CBC Television.
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